图书简介
对中国山水画与西方风景画空间表现比较研究,国内外学者已有不少的研究成果,但缺乏比较系统的研究,尤其是对形成中国山水画与西方风景画空间表现特点的原因。本书在前人研究成果的基础上,着重从绘画空间表现的角度,对中国山水画与西方风景画空间表现特点及其形成各自特点的成因作了进一步的探讨。研究表明,中国山水画在空间表现中追求的是情景交融的意象空间,使山水画空间成为体现主体情怀,具有主观性理想化的艺术空间,并且空间表现具有流动性的特点;西方风景画追求视觉真实,使风景画空间成为现实空间的逼真幻象,其空间表现具有相对的静止性的特点。同时,中国山水画与西方风景画在空间表现中存在各自特点的同时,也具有一定的相同之处。造成这些异同的主要原因对于中国山水画来说,则是“天人合一”思想和东方思维模式,以及汉字与书法等艺术的影响;在西方风景画来说,则是影响深刻的“摹仿说”和西方思维模式,以及古希腊雕刻艺术等影响。
There are many research results in the comparative study of the spatial representation of Chinese landscape painting and Western landscape painting, but there is a lack of comparative and systematic research, especially on the reasons for the formation of the spatial expression characteristics of Chinese landscape painting and Western landscape painting. On the basis of the research results of predecessors, this book focuses on the spatial expression characteristics of Chinese landscape painting and Western landscape painting and the causes of their respective characteristics from the perspective of spatial expression of painting. The research shows that Chinese landscape painting pursues an image space of scene blending in spatial expression, making the landscape painting space an art space that embodies the subjective feelings, has subjective idealization, and the spatial expression has the characteristics of fluidity. Western landscape painting pursues visual reality, making the landscape painting space a realistic illusion of real space, and its spatial expression has the characteristics of relative staticness. At the same time, Chinese landscape painting and Western landscape painting have their own characteristics in spatial expression, but also have certain similarities. The main reasons for these similarities and differences for Chinese landscape painting are the idea of "the unity of heaven and man" and the oriental mode of thinking, as well as the influence of Chinese characters and calligraphy and other arts; In Western landscape painting, it is the profound influence of "imitation theory" and Western thinking mode, as well as ancient Greek carving art and other influences.(AI翻译)
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